Wednesday, 22 April 2009

Big Orange: Andrew Pavitt


Big Orange is a studio is Shoreditch, London, which is partially shared with the Association of Illustrators which is useful to share the rent and to gain valuable advice, where illustrators pay £200 for shared use of equipment, set-up, cleaning and the phones. This environment is useful to the illustrators as you are able to feed ideas off of each other and get advice and working freelance can often be lonely and make you quite insecure.

Big Orange was set up 15 or 16 years ago with illustrators, such as Darryl Rees, who now runs the Heart Agency, Dan Williams, who now teaches in Glasgow, and Tom Morrison, from the Royal College of Art. Andrew Pavitt joined about 6 years ago. When setting up a studio, location is important though it is not everything. There are now good studios within the Manchester area. An important part of being an illustrator is self-promotion. You need to make people aware of who you are on a regular basis to ensure commissions.

Peepshow is a similar studio set-up. The advantage of joining a studio such as Peepshow or Big Orange is that it is already established and you are able to share contacts with each other, though you should also make an effort to gain your own contacts.

Another advantage of the Big Orange studio is that its working hours are 24 hours. This is extremely useful as you are able to get work done at anytime in order to meet short deadlines. This is also relevant when working with contacts outside of the UK. If you get a commission for the US, they will not take into account the time difference, which means you may need to work through the night to get work done. An advantage of working with US contacts is that the pay is often double that of what you would get in the UK.

A disadvantage of working within a studio with other people is the dynamic can often be too much and if personalities clash, this can cause tension for everybody else.

Book Cover Image

I saw this image on the Inspiration Resource blog, which I follow, and though it is not normally an image that I would like, this really stands out to me. I think it is because it is so simple yet well thought out. The hand-printed text is beautiful and it just really stands out to me (though I do find the face a bit freaky!).

Debbie Greenaway Response

Dated: 21.04.09

Hello Leanne,

Sorry for the delay in replying to your questions. I have completed the first draft and will return to finish it after work tomorrow. I will tidy it up and correct my mistakes and will then email it to you. Hope this is ok? I am sorry I have been late once again in answering your questions.

debbie x.

Friday, 17 April 2009

Elle: Couple & Ribbon Idea


This is an idea that I have had for the Elle article from a quote within it: "Tied together the whole way." I initially did the ribbon by hand so that it was quicker but I like how it looks compared to the block shapes. I think I would like the develop this idea further.

Elle: Rosette Idea

This is a little idea I came up with for the Elle article: Mourning the death of my first love. The rosette idea is meant to represent the "1st love" idea but I think it might be too inappropriate to put a rosette, often representing achievement, to an article about cancer and death.

Person Idea

I have never really illustrated people, as I find the shape difficult, so I am trying to simplify the image using block shapes for my work. I hope to eventually combine the person with layers, Illustrator lines and texture.

Wednesday, 8 April 2009

Debbie Greenaway Response

This is the response that I got from Debbie:

Hello Leanne,

Thank you for your email and your questions. I am ok, thank you for asking. I have just finished working at the cafe and have some prep-work to do for tomorrow in the printroom so I will answer your questions tomorrow evening. Is that ok?

Hope everything is going well. I keep popping by your blog as and when I can.

Take care.

debbie

I responded:

Hi Debbie,

Tomorrow would be great. Thank you so much, Leanne x