Showing posts with label Contact Reports. Show all posts
Showing posts with label Contact Reports. Show all posts

Wednesday, 6 May 2009

Debbie Greenaway Response

DEBBIE:
Hello Leanne,

Just got in from work and so just got your email now. I am glad that they arrived safe and sound. royal mail didnt do too bad this time but they have been terrible before. Its nice to hear that you are so calm about your work. I think i was calm towards the end but i think that was mostly out of shock because i then realised that three years had gone all so quickly! i get and got my business cards from moo.com. check them out if you want to. i think i forgot to put one in your envelope. i normally get the slim ones - 100 for £10. the cards i am doing are going to be in PAD in preston and on etsy, also anywhere else i get them in! i need to expand into other shops and places now.

keep working hard for the next few days!

debbie x.

Debbie Greenaway Response

DEBBIE:
Hello Leanne,

I am good thanks for asking. I will go on facebook in a moment. i hate it and like it at the same time-its good for certain things and is a big distraction. Does all your work have to in for friday then, like all neat and presentable in portfolios etc? Do you have to have an exhibition set up by then as well? its not long to go. do you have anything planned for the weekend to celebrate or anything?

My illustration work is going ok. Just sorting out tidying up the website and designing some lions to screen-print onto cards for a gallery shop place. i just keep motor-ing on with it all.

have a good week. take care.

deb x.

LEANNE:
Hi Debbie,

On Friday all the major project stuff has to be handed in but then we get a bit off time afterwards to sort out the exhibition stuff and also portfolios and business cards. I'm not as stressed out as I thought I would be abut now!

Also, today I got my little tooth and very own Robotington! :-D They are gorgeous, thank you so much, and also thank you for my little magnets. I'm looking forward to putting them pride of place somewhere in my room, though this will need a lot of careful consideration! I would love to be able to make something like them but I have never used a sewing machine in my life! I think I will have to put that on my list of things to learn!

Where will your screenprinted lions cards be shown? That's quite exciting!

Speak to you soon,
Leanne x

Tuesday, 5 May 2009

Debbie Greenaway Response

DEBBIE:
Evening Leanne,

How are you today? How is the work going? I am just about to update my blog and then check your updates and everyone else's. Just to let you know that I have posted your robotington and tooth. first class, so they should arrive tomorrow morning. Please let me know if you name him or if you ever get the chance to take him out and about please take a photo, or one of him in his new home etc. he has a facebook page if you would like to add him - Ro Botington. my boyfriend john set it up for him!

deb x.

LEANNE:
Hi Debbie,

I'm fine thank you. I'm very excited that the final deadline in on Friday, even though I am very worried that I don't have enough work. I have adding Ro Botington on Facebook :-) I am very excited to have my very own at my house, he is going to belong on the back of my door and maybe the occasional day trip out and about! How is your illustration work going?

Leanne x

----> See more about Debbie on this site: Sketchbooks in Schools

Monday, 4 May 2009

Debbie Greenaway Response


I have just bought the above items from Debbie's Etsy site and I am really looking forward to getting them! I have wanted a Robotington plush toy since I saw a huge one she did at New Blood so yay!

LEANNE:
Hi Again,

Though that I'd quickly let you know that I've bought a Robotington and a little tooth on your etsy site, yay!

Leanne x

DEBBIE:
Hello Again Leanne,

Thank you so much for buying one! I really appreciate the support. I have just seen the etsy/paypal email. I am going to the post office tomorrow as have other things to send out as well so look out for a package on Wednesday at the earliest unless they send a snail out to post it! you know what royal mail can be like at times.

Take care and all the best.

debbie x.

Debbie Greenaway Response

For nearly a year, I have enjoyed a written friendship with Debbie and I feel very fortunate to have made such a friendly contact. I think the difference between being in contact with her and an established illustrator is that she is still finding her way and her style and this is much more interesting and useful to me than somebody who is already successful. I hope to stay in touch with her in the future.

LEANNE:
Hi Debbie,

Thank you again for your reply, I've updated it on my blog. I also forgot to say that I like your website. I have a very simple one with some old work which I hope to update when I leave. After the stress of these 3 years at university, I was contemplating doing something completely different but as the end is in sight, I am actually starting to enjoy illustration again.

I was also thinking of doing a Masters but next year, possibly in typography or design and art direction. I have a job already at Habitat in the Trafford Centre and it definitely distracts you from what you want to do but I always tell myself "This is not my career!" That makes me feel a bit better when I miss all my weekend :-)

I could really see you doing children's books as I think that context would perfectly fit your style. I really look forward to seeing your work on your blog.

Hopefully I will speak to you soon,
Leanne x x x

DEBBIE:
Hello Leanne,

How are you? Thank you for your reply to let me know that you got the answers etc and have read through them. I had never done anything like that before so it was struggle to think about things. Then after I had sent it off, I just kept thinking that i could have maybe answered the questions better or had more to say.

My final year of university was very hard for me, I super stressed myself out with what i wanted to do with the projects and I had just moved to different place which was quite unsettling in the end but i managed to create some good work with a lot of help and support. All i can say is try and enjoy as much as you can and do whatever work you can fit into the time that is left. If you need any help there is always some kind of support at university whether this be from tutors, different tutors, different tutors in different departments, friends, family and just people in general. Make sure you have some 'me' time as well but not too much, just enough to give yourself a break and time to relax or think about things.

To expand a bit more about me and illustration, throughout university, I wanted to go on to do a masters afterwards, either in children's books or printmaking or maybe just illustration but felt that i needed a break. a break as i said to enjoy illustration just for me. I found a job asap and so have worked in a cafe whilst fitting in illustration/craft/print stuff in the spare time that i get. some weeks are good and some weeks are not so good. i struggle to organise myself but now i am getting into a routine with it. i would like to find a better job, for example, less hours for more pay so i have more free time for illustration but job hunting is very difficult and very time consuming at the moment. i am getting there slowly and maybe i will end up doing a masters, most probably now in children's books in about two years or so. i am looking at applying for AA2A over summer and hopefully I will be able to print once again on a more regular basis. More details about AA2A can be found here http://www.aa2a.org/introduction .

I hope the last stretch of university goes well. Please stay in touch.

all the best

debbie x.

Debbie Greenaway Response

DEBBIE:
Hello Leanne,

I have attached my answers in a Word document. If you need me to expand on any of my answers, please email me and I will try and answer them asap. Sorry that I was not quicker with these questions.

Hope everything is ok.

debbie greenaway

WORD DOCUMENT:
What made you want to be an illustrator?
I am not sure of when I first heard the word illustration or if I ever understood what the word meant. I think we must have used the word in a lesson of history during high school. I never liked history and picked Geography because I liked drawing the pictures about what we were learning. I remember drawing about glaciers and the different types of farming. So I suppose I think I first wanted to be an illustrator when I didn’t even know what an illustrator was or did. When I was younger, people used to see me drawing then ask me to draw certain things and I suppose that is what an illustrator does, draws and creates illustration for a significant reason or purpose. I think it is easier to draw something in response to something you have been asked to do. Other than that, I have always liked drawing.

2) Who are your main style influences?
I would have to say my main influences are Oliver Jeffers, Sara Fanelli, Shaun Tan, Calef Brown, Simone Lia, Edward Gorey, Donna Wilson and Raymond Briggs…I have just reread the question and seen that it says ‘style influences’ so I would still say the same people, though I would say that I admire anyone who uses colour as the moment! I look at many illustrators, artists, creative people’s work, websites, books, magazines and I bet there are loads more people I could name. I have recently discovered Marc Boutavant. I have seen his work in the Guardian and he has illustrated several children’s books. Style is one of them words that I do not like to use. I feel I do not have a style though I suppose I can see that there is one developing when I look through my sketchbook. It is a very difficult word, ‘style’.

3) What outside interests do you have?
I can’t quite decide what my outside interests are as everything I think of seems to be linked with illustration in some way or another. I work at a café in order to support myself but whilst at work or away from it, I am always thinking of what I could be drawing or what I should or could be doing illustration wise. I am always on the hunt for characters; I can’t help but look at people and think about what they would look like as a lion. I am continually trying to learn the guitar and have been doing so on and off for the past four years. I like to bake sweet things, cakes, buns and biscuits. I go to the cinema whenever I can but this is usually to watch cartoons/animations etc. I like visiting parks, galleries and just nice places in general that have plenty of things to look at and draw. I usually carry a camera round with me. I try to see my friends as often as I can. I quite like swimming. I seem to switch off completely when swimming. I love growing and collecting cacti. I have ten at the moment and one foster cactus.

4) How have you found getting work as an illustrator since leaving university and what ways do you promote yourself in order to gain commissions?
Since I left university, I haven’t actively seeked any illustration work. It has just found me and I have had one what I would call proper illustration job/commission since leaving university and have had a couple of enquiries about my work. Promotional wise, during university in my second year, I started a blog and then during third year, I opened an etsy shop. Upon leaving university, I didn’t have a website set up and have just set one up this week. It is very much a work in progress. I continue to keep my blog. I have never done a mail out or anything that resembles promotion except have business cards to give to people. I am aware that having a website and doing promotion mail outs are very important but I find it hard to know what to promote at the moment, as I feel I am still experimenting and developing my work. Illustration is what I really want to do full-time but I think after leaving university, I kind of decided to have a bit of time out to enjoy illustration just for me, while I find out what it is about it that I want to do. Also, as my boyfriend is studying for his PhD, it was up to me to get a job to make sure we are and were financially secure. Thinking about it, I do promote my work but maybe more as a fine artist would. I take part in group exhibitions (mainly print, etching/screen-prints), I look for competitions or projects to enter/be a part of such as contributing work to a zine. It is difficult as a single person to do everything all at once, all of the time and so for the moment I look for group things to do in order to promote my work if that makes sense. Some of my work is in PAD in Preston. Plus, I often have a market stall at Christmas and I would like to do this on a more regular basis. I would also like to have work in more than one shop/gallery. My work is to feature in the AOI Images 33 Annual and exhibition and I have a piece of work in the Mailmeart book.

5) How would you like your work to progress in the future?
I would like to give more colour to my work, either through use of traditional methods such as painting, collage or printmaking or by colouring them in digitally. I would like to create more finished pieces of work. Ones that have a background as many of my characters live and float around in a white space. One day I would like to write a complete story and illustrate it from start to finish. I draw quite a lot of animal or inanimate object characters and sometimes it does get quite repetitive. Therefore, I think I would like my work to feature people in it in the future as well as backgrounds in full proper stories. The to-do list is very long!

6) If you were not an illustrator, what would you want to be?
If I wasn’t an illustrator I think I would like to be either a long distance runner or sprinter, run my own tea shop/art shop/gallery place, an hairdresser or a snooker player.

7) Do you think that you will always be an illustrator or do you have another career path in mind?
I think I will always be an illustrator, a creative drawing person. I have always drawn and can’t imagine not drawing. Even when I am angry or frustrated with my ideas, or when the café job annoys me, drawing always makes me feel better. I have often thought about being an art teacher, a technician of sorts, workshop helper, art therapist or something else creative and probably may end up doing something like one of these jobs alongside being an illustrator.

8) What context do you think best suits your work? (i.e. editorial, children's books, book covers, etc.)
I think the context that suits my work best would be children’s books. Maybe it would work in an editorial context if I was to research and create some ‘mock-up’ illustrations for articles that appear in an educational or parenting magazine. I also feel that my work would work in maybe a design context such as surface pattern, for ceramics or textiles. It is something I am working on at the moment. Since leaving university, I have been thinking about learning animation or maybe doing a masters in children’s books in a couple of years time.

LEANNE:
Hi Debbie,

Thank you so much for your reply. It is fantastic and really informative. I particularly liked that you said once you left university, you just wanted to enjoy illustration for you, as this is something that I would like to do, as the stress of university has taken the fun out of it for me. I also look forward to seeing your work in the AOI images book. Even though I have nearly finished my course, I would really enjoy keeping in touch if that would be okay with you.

Hope your are okay,
Leanne x x x

Debbie Greenaway Response

LEANNE:
Hi Debbie,

I hope that you are well. I know that you are always very busy but I was hoping that, if possible, you could respond to my previous email by Thursday? If you can't, I completely understand, it's just my deadline for everything, including the blog, is on Friday. I would really really appreciate if you can do this but don't worry if you can't.

Thanks :-) Leanne x

DEBBIE:
Hello Leanne,

I have attached my answers in a Word document. If you need me to expand on any of my answers, please email me and I will try and answer them asap. Sorry that I was not quicker with these questions.

Hope everything is ok.

debbie greenaway

Wednesday, 22 April 2009

Debbie Greenaway Response

Dated: 21.04.09

Hello Leanne,

Sorry for the delay in replying to your questions. I have completed the first draft and will return to finish it after work tomorrow. I will tidy it up and correct my mistakes and will then email it to you. Hope this is ok? I am sorry I have been late once again in answering your questions.

debbie x.

Wednesday, 8 April 2009

Debbie Greenaway Response

This is the response that I got from Debbie:

Hello Leanne,

Thank you for your email and your questions. I am ok, thank you for asking. I have just finished working at the cafe and have some prep-work to do for tomorrow in the printroom so I will answer your questions tomorrow evening. Is that ok?

Hope everything is going well. I keep popping by your blog as and when I can.

Take care.

debbie

I responded:

Hi Debbie,

Tomorrow would be great. Thank you so much, Leanne x

Tuesday, 7 April 2009

Debbie Greenaway

I have sent the following email to Debbie Greenaway. Debbie is someone that I have been in contact with since I saw her work at the New Blood exhibition in London and she's a really lovely person.

Hi Debbie,

How are you? I'm sorry that I haven't emailed in so long but I have been so busy with my major project. Anyway, I hope that it is still okay to ask you some questions regarding you and your work, and I apologize if I have already asked any of these questions in the past! So...

1) What made you want to be an illustrator?
2) Who are your main style influences?
3) What outside interests do you have?
4) How have you found getting work as an illustrator since leaving university and what ways do you promote yourself in order to gain commissions?
5) How would you like your work to progress in the future?
6) If you were not an illustrator, what would you want to be?
7) Do you think that you will always be an illustrator or do you have another career path in mind?
8) What context do you think best suits your work? (i.e. editorial, children's books, book covers, etc.)

...And I think that is all I can think of at the moment. Some of those questions, such as "do you always want to be an illustrator" are currently on my mind as, even though I am so close to having a degree in illustration, I am not even sure if that is what I want to do anymore. I'm not sure if I have what it takes to work freelance and I am thinking about trying to get experience as a graphic designer, but who knows?!

Anyway, I hope you are well and hope to hear from you soon,
Leanne x

Cheryl Taylor

I have sent the following email to Cheryl Taylor:

Hi Cheryl,

My name is Leanne and I am in the final year of the Illustration course at Stockport College.

As you were a student at Stockport College, your work and career is of great interest to me and I understand that, not only are you an illustrator, but that you work full time as a graphic designer. I would also like to say that I really enjoy your work and that it is fantastic to see that you are enjoying success.

Currently, my interests are lying more within the area of graphic design as well. I was hoping that as part of my research, you could please tell me a bit more about yourself and your creative process. Also, I would like to know how you distinguish your graphic design work from your illustration work and how do you find the time to do both?

Any information that you can provide me would be greatly appreciated.

Thank you so much for your time,
Leanne.

Lula Mag

I have sent the following email to Lula Mag:

Hello,

My name is Leanne Hughes and I am about to finish a degree in Illustration at Stockport College in Manchester.

The brief for my major project is to illustrate magazine articles and during my research, whilst looking at unusual and well-designed magazines, I came across Lula.

I was hoping that, to aid my research, you could please provide me with any information about the creative approach that you took in order to position yourself within the magazine industry and make you stand out, and how difficult was it to set up a new magazine, especially given the current economic climate? Also, how do you see the magazine progressing in the future?

Any information you can provide me about your magazine and the design aspects of it would be greatly appreciated.

Thank you so much for your time,
Leanne.

Monday, 23 March 2009

Hammerpress

I am hoping to send an email to Hammerpress, a company who create unique stationary and designs. I have send a handwritten letter to them previously and they did not reply so I am not too hopeful for a response, but I'm still going to try. I am not sure whether asking questions in this email or asking them if it would be okay to send another email with some questions. I am not sure which they would rather respond to. Here is a draft of the email I would like to send:

Hi!

My name is Leanne and I am about to finish my degree in Illustration at Stockport College in Manchester, England.

I am a huge admirer of your work and I was hoping that, as part of my research, you could provide me with more information about your company, such as your influences and the techniques involved in the creative process.

I understand that you are very busy but any information that you can provide me with would be greatly appreciated.

Thank you so much for your time,
Leanne.

Jessica Hische


I am hoping to send Jessica Hische an email about her and her work. This is a draft of the email I would like to send:

Hi Jessica,

My name is Leanne and I am about to finish my Illustration degree at Stockport College in Manchester, England.

I'd like to say that I am a huge admirer of your work, particularly your typography work, as I am also interested in creating type. I have attached a typeface that I created recently based on the circus and I would love to know what you think of it.

To help my research, I was hoping that I could send you some questions about you and your work? I realise that you are very busy so I will understand if you won't have the time to do this.

I hope to hear from you soon,
Leanne

Wednesday, 11 February 2009

Joanna Nelson

Last year I interviewed Joanna Nelson, an illustrator, and one of my tutors, about her illustration work. Her responses were fantastic and really helpful.

To read the interview, click on the link below:
Joanna Nelson Interview

>Visit her website: http://joannanelson.co.uk/

Oliver Jeffers


Artist contact from last year. Oliver Jeffers sent me a FAQ document that is extremely thorough.

To see it, click the link below:
Oliver Jeffers Response

>Visit his website: http://www.oliverjeffers.com/

Nina Chakrabarti

Artist contact from last year. I wrote her a handwritten letter.

NINA: Thank you so much for your letter.
It's so nice to get a hand-written letter in this day and age! I appreciate your interest in typography. In answer to your questions:

How do you go about producing purely typographic work ?

I like words and they way letterforms can be evocative of a certain time/place. I really like old decorative wood letterforms that can be found in Letterpress workshops. Does your college have such a workshop. If you're interested in typography it's definitely worth signing up for a course.

What is your inspiration for it ?
I like old signage. As I live in London(I'm sure this is true of any big city)a lot can be conveyed through shop signage in particular. I like the diversity of typefaces, old and new that exist side by side here.

I hope that helps. I'm sorry I can't go into more depth. I am very busy with several projects right now.

> Visit her website: http://www.ninachakrabarti.com/

Jelly Illustration Agency

Contact report from last year. I sent them a handwritten letter.

JELLY: Thanks for your letter. Sorry it has taken me such a long time to reply, things have been hectic here at jelly HQ!

Branching off from its mother company - Three Blind Mice, Jelly merges the boundaries between the two disciplines of illustration and motion. Launched in 2006 and designed to fit any mold, we are here to provide a bespoke service offering finished illustration and moving image across all platforms and media.

jelly is unique, as we are able to handpick a suitable team to respond to individual briefs. Here we can combine the freshest of talent, alongside experienced production crew.

We pride ourselves on updating our roster of artists as regularly as possible, we want to have the most exciting and varied selection of illustrators whether they be advertising, publishing or editorial.

We don't hold scary contracts with our artists, we don't make unrealistic demands and we don't charge for any promotion at all (which is quite a rarity for an agent!)

We are currently updating our website with our new illustrators and we are also updating our brochures and jelly bags (info packs). We actively visit clients everyday with portfolios and do other promotional activities such as sending our monthly newsletter, advertising in illustration industry directories, setting competitions, holding exhibitions and we also aim to gain regular press coverage. We want to get our illustrators and animators as much exposure as possible to ensure that they get plenty of exciting work.

>Visit the website: http://www.jellylondon.com/

Folio Art

From last year, another agency. This helps me to slightly understand the different between and illustration agency and a design agency.

LEANNE: I was hoping you could tell me what your role is as a design agency and what you do to assist the designer.

FOLIO ART: We are not a design agency as such, we are an illustration agency which means we represent artists/illustrators and promote them and bring them in work. We help communicate between design agencies and our illustrators regarding briefs and fees etc. We also assist design agencies by suggesting artists and illustrators for their projects and briefs. Hope this helps!

> Visit the website: http://www.folioart.co.uk/

Bernstein & Andriulli

From last year, another agency.

LEANNE: I was hoping you could tell me what your role is as a design agency and what you do to assist the designer.

B&A: We're not a design agency, but here's some info about the work we actually do: representation of artists and designers.

Bernstein & Andriulli: Advice about illustration agents

I was then given a huge amount of information about illustration agents. A point I would like to make is that I contacted a lot of people asking them about their role as a design agency, and similar to the response I was given by B&A, I was told that they were not a design agency, they were an illustration agency. I have yet to differentiate between the two.

> Visit the website: http://www.ba-reps.com/